La antropología como ciencia ridícula
La foto es de Yanidel y está tomada de https://www.facebook.com/YanidelPhotography Final de La antropología en los tiempos del cólera. Una reflexión y un balance, conferencia de clausura del …
La foto es de Yanidel y está tomada de https://www.facebook.com/YanidelPhotography Final de La antropología en los tiempos del cólera. Una reflexión y un balance, conferencia de clausura del …
Diese Woche gibt es z.B. ein Volontariat beim Museum Folkwang in Essen und eine Stelle als Fachdienstleiter*in für den Fachdienst Kultur und Bücherei bei der Stadt Grevenbroich. Wie…
Producer’s note: Hi everyone, Executive Producer Matt here, just wanted to slide in here quickly and say that we recorded this panel a while ago, so you might…
By Dominic Piacentini, The University of Maine § Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport…
The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India (U Pennsylvania Press, 2023) offers an unprecedented firsthand account of the operations of Hindu nationalists and their role in…
Von #Doppelstandards ist häufig die Rede, wenn es um einen Vergleich zwischen den Kriegen Russland/Ukraine und Israel/Gaza geht. Doch von wem und warum werden diese Kriege eigentlich verglichen?
Zomi Town [Enclave], [via] City of Tulsa, Muscogee Nation, [via] Tulsa County, [via] [State of] Oklahoma, United States Visited June 14, 2024* This is the twenty-second post in…
By Sita Mamidipudi, University of California, Los Angeles. Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A.…
The camas season seems done, very early this year, the flowers now turned to seeds already. I have seeds from the pods in my yard
پناهگاه میرزا، نمایشگاهی است در فضای یک کارخانه قدیمی و متروک در محله بیمه شهر تهران که بازتاب هنر و اندیشۀ میرزا حمید، هنرمند ناشناس ایرانی است. از…
مقدمه ساده‌ترین تعریف منظر؛ تصویری از طبیعت است که از دوردست در برابر چشم ما قرار گرفته است.(گروه معماری پارسه؛۱۳۹۲؛۲) در دنیای امروز منظر موجودی زنده و پویا…
مقدمه وقتی پس‌از سال‌‌‌‌‌‌‌‌‌‌ها تدریس هنر؛ تصمیم به عملی کردن یک پروژۀ طولانی (که مدت‌ها ذهنم را مشغول کرده بود) گرفتم، مسیر تدوین‌شدۀ پیش‌رو سرشار از سوال و…
Geschätzte Lesedauer: 11 Minuten Zwei Blogbeiträge aus dem Seminar mit Exkursion zum 16. SIEF Kongress „Living Uncertainty“ in Brno, Tschechien (6.-10. Juni 2023) Der 16. Kongress des europ…
Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport Prize Finalists. By Caylee J. Hong, Univers…
Following a day-long, company-wide “workplace culture” workshop for a Silicon Valley startup that creates and oversees mental health care chatbots (pseudonym: The Startup), I find myself sitting on…
The Portuguese-language proverb „Quem sai na chuva é para se molhar“ might be translated as „who goes out in the rain, wants to get wet.” It’s a reminder that actions have…
Tibetan Magic: Past and Present (Bloomsbury, 2024) focuses on the theme of magic in Tibetan contexts, encompassing both pre-modern and modern text-cultures as well as contemporary practices. It offers…
Michael F. Brown reflects on his ten years as president at the SAR Gala Celebrating 50 Years of Resident Schol…
Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport Prize Finalists. By Bürge Abiral, The Ohio …
SAPIENS is seeking poetry submissions for a curated collection that will publish next year. Deadline: September 1, 2024. ✽ SAPIENS Anthropology Magazine invites creative works for the upcoming…
Join us on This Anthro Life podcast for an enlightening conversation with Wynford Dore, a pioneering researcher in neuroplasticity. I’m Adam, your host, and in this episode, we…
In Refugee Voices, Rob Sharp explores how refugees in the UK use creative media to express themselves and their experiences. Through detailed fieldwork in Cardiff and Tyneside, Sharp’s nuanced…
The entrance of the room where the Mocambo group works. Photo by the author. This essay is one of the results of a roda de conversa (a conversation…
La foto és de Yanidel, presa de https://www.facebook.com/YanidelPhotography Comentari per el col·lega Galvão Santos, de l’Observatori d’Antropologia del Conflicte Urbà sobre la microsociologia i l…