Guidelines for Collaboration: Museums and Communities Seeking Equitable Change
Dolores Lewis Garcia and Claudia Mitchell during a collections review at the Indian Arts Research Center. Guest post by Emily Santha…
Dolores Lewis Garcia and Claudia Mitchell during a collections review at the Indian Arts Research Center. Guest post by Emily Santha…
Guest post by Emily Santhanam, 2020–2021 SAR Anne Ray Intern Walking toward the crowd, I felt a burn of energy in the air. People w…
Guest post by Emily Santhanam, SAR Anne Ray Intern 2020–2021 Women in archaeology have come a long way. They now comprise half of al…
Guest post by Sháńdíín Brown, 2020–2021 Anne Ray intern The Diné are resilient people and know how to adapt to hardship. Before Euro…
Duane Maktima. Bolo tie + buckle, 1974, detail. Silver, turquoise, gold-lip mother-of-pearl, ironwood, coral, leather. SAR.1989-7-177AB. Ph…
Mele O Nā Kaukani Wai (Song of a Thousand Waters), handmade plant dyes, earth pigments, and printed ‘ohe kāpala (bamboo stamps) on hand-sti…
Fight the Virus Campaign, Poeh Cultural Center, Pueblo of Pojoaque. Guest post by Emily Santhanam, SAR Anne Ray intern 2020–2021 &n…
2021 J. I. Staley Prize Awarded to Laurence Ralph for Renegade Dreams, Living Through Injury in Gangland Chicago …
Historian C. J. Alvarez came to SAR to work on a project exploring the US-Mexico border as a bioregion and to challenge, through his writin…
Guest post by Emily Santhanam, SAR Anne Ray Intern 2020-2021 We began the class …
Looking Forward, Looking Back …
Guest post by Sháńdíín Brown, SAR Anne Ray intern, 2020–2021 Venancio Aragon is …
Carol Emarthle-Douglas (Northern Arapaho/Seminole), Round Dance, 2016, rattan round reed, raffia, dyes, silk, and glass, SAR.2017-6-1AB. Ph…