Donor Profile: The Susan L. Q. Flaherty Collection
Donor Profile: The Susan L. Q. Flaherty Collection …
Donor Profile: The Susan L. Q. Flaherty Collection …
Guest post by Sháńdíín Brown, 2020–2021 Anne Ray intern The Diné are resilient people and know how to adapt to hardship. Before Euro…
Duane Maktima. Bolo tie + buckle, 1974, detail. Silver, turquoise, gold-lip mother-of-pearl, ironwood, coral, leather. SAR.1989-7-177AB. Ph…
The Long, Dark Journey of a Historic Textile Treasure …
Guest post by SAR members Russ and Diane Kyncl. This is our fifty-year …
Remembering Art Wolf and Chrisine McHorse …
Looking Forward, Looking Back …
Guest post by Sháńdíín Brown, SAR Anne Ray intern, 2020–2021 Venancio Aragon is …
Beatien Yazz, Diné (Navajo), 1946, Watercolor on paper, SAR.1983-12-150. Photograph by Addison Doty, Copyright 2020 School for Advanced Res…
Story by IARC collections assistant Molly Winslow. For our In the Vaults series, we are sharing some of our staff favorites from the…
Story by IARC collections assistant Molly Winslow In our recent In the Vaults series, we are sharing some of our staff favorites from the I…
Story by IARC curator of education Felicia Garcia With my basket I decided to send out a message. The coil is to represent a tight foundat…
Carol Emarthle-Douglas (Northern Arapaho/Seminole), Round Dance, 2016, rattan round reed, raffia, dyes, silk, and glass, SAR.2017-6-1AB. Ph…