SAR Announces 2023-2024 Native Artist Fellows
SAR Announces 2023-2024 Native Artist Fellows …
Tag: Native Artist Fellows
‘Who Were You When You Stepped to This Pot?’ :
‘Who Were You When You Stepped to This Pot?’1: A Lesson in Community Curation from Grounded in Clay Guest post by Emily Santhanam …
Forging Her Path: Dr. Adriana María Linares-Palma, 2021-2022 Paloheimo Fellow
Written by Kat Bernhardt, Advancement Associate, SAR With her sparkling dark eyes and guarded genuine smile, there is a big-hearted opennes…
SAR Announces 2022-2023 Native Artist Fellows
SAR Announces 2022-2023 Native Artist Fellows …
Guidelines for Collaboration: Museums and Communities Seeking Equitable Change
Dolores Lewis Garcia and Claudia Mitchell during a collections review at the Indian Arts Research Center. Guest post by Emily Santha…
SAR Remembers Ronald N. Dubin
The Dubin Studio under construction in 1997 (left) and after its completion (right). …
The Clay Always Has Something to Say: 2021 Native Artist Fellow Brandon Adriano Ortiz-Concha
Guest post by Emily Santhanam, 2020–2021 SAR Anne Ray Intern Walking toward the crowd, I felt a burn of energy in the air. People w…
Bolo Tie Highlights: An IARC Collection Reflection
Duane Maktima. Bolo tie + buckle, 1974, detail. Silver, turquoise, gold-lip mother-of-pearl, ironwood, coral, leather. SAR.1989-7-177AB. Ph…
Members Matter: Russ and Diane Kyncl
Guest post by SAR members Russ and Diane Kyncl. This is our fifty-year …
Spider Woman’s Knowledge and the Survival of Diné Textile Arts
Detail of weaving by Venancio Aragon (Diné), SAR’s 2020 Rollin and Mary Ella King Native artist fellow. Guest post by Abra Wenzel. &…
SAR Learns! $50,000 Awarded to Support Indigenous Artists
SAR Learns! $50,000 Awarded to Support Indigenous Artists …
SAR Announces 2021-2022 Native Artist Fellows
SAR Announces 2021-2022 Native Artist Fellows …
The Pandemic Shift: The School for Advanced Research Annual Report
Historian C. J. Alvarez came to SAR to work on a project exploring the US-Mexico border as a bioregion and to challenge, through his writin…
Venancio Aragon: Weaving the Colors of the World
Guest post by Sháńdíín Brown, SAR Anne Ray intern, 2020–2021 Venancio Aragon is …
Messages and Monuments: Perspectives on Collective Memories
Messages and Monuments: Perspectives on Collective Memories Free Virtual Program Invi…
In the Vault: Beatien Yazz Watercolor
Beatien Yazz, Diné (Navajo), 1946, Watercolor on paper, SAR.1983-12-150. Photograph by Addison Doty, Copyright 2020 School for Advanced Res…
Honoring a Life of Creativity and Artistic Talent
Honoring a Life of Creativity and Artistic Talent …
In the Vault: A Beautifully Made Basket
Story by IARC collections assistant Molly Winslow. For our In the Vaults series, we are sharing some of our staff favorites from the…
In the Vault: Perfectly Balanced – Zuni Earrings
Story by IARC collections assistant Molly Winslow In our recent In the Vaults series, we are sharing some of our staff favorites from the I…
In the Vault: Coil and Sifter Basket, Pootsaya
Story by IARC curator of education Felicia Garcia With my basket I decided to send out a message. The coil is to represent a tight foundat…
In the Vault: Miniature Basket Illustrates the Big Impact of Tiny Things
Carol Emarthle-Douglas (Northern Arapaho/Seminole), Round Dance, 2016, rattan round reed, raffia, dyes, silk, and glass, SAR.2017-6-1AB. Ph…
Exclusive Video Interview with Leah Mata Fragua: Everyone and Everything Is a Teacher
Chumash dance dress, 2017. Collaboration between Leah Mata Fragua and Cara Romero. Photo courtesy of the artists. Story written by SAR edi…
IARC Native Artist Fellow Ian Kuali’i Interviewed by Smithsonian Magazine
Freehand, ephemeral cut-paper banner hung under the Dubin Studio portal, Ian Kuali’i. Story written by SAR editorial staff. Paper. …