Tag: Vol 28.3 – October 2021

Review NAFA 40th International Film Festival

Hans Frode Storaas , October 29th, 2021


The NAFA 40th International Film Festival took place at Museu Nacional de Etnologia, in Belem, Lisbon, Portugal, from 29th September until 3rd October 2021. And what a great…


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NAFA Annual Meeting 2021

NAFA Network , October 24th, 2021


The NAFA annual meeting 2021 was held in a hybrid format, some of the attendees reporting directly from the NAFA film festival in Lisbon, whereas others joined online…


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Media and Visual Anthropology at Bremen University

Martin Gruber , October 24th, 2021


BA in Cultural Research at Bremen University The Bachelor’s Program in Cultural Research at Bremen University offers students an interesting and stimulating course thanks to its strong o…


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NAFA 2022: Call for Films

NAFA Network , October 24th, 2021


We are now, despite not knowing for certain when and where the festival will be held, ready for film submissions for the 41st NAFA International Festival of Ethnographic…


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Call for film submission IUAES Congress St. Petersburg

NAFA Network , October 24th, 2021


The Anthropological Film Festival IUAES Congress St. Petersburg Russia, scheduled for May 25-31, 2022, is now accepting submissions. The next year’s festival topic is “World on the Move:…


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Deadline Application Master of Visual Anthropology – UiT

Peter I. Crawford , October 24th, 2021


Deadline for international applicants coming: up 1 December! Master of Visual Anthropology at UiT The Arctic University of Norway. International applications opened 1 October 2021 We invite you…


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Call for Films: CULTUREELS Ethnographic film festival

NAFA Network , October 21st, 2021


CULTUREELS – Ethnographic Film Festival focuses on anthropological and ethnographic documentaries. The aim of the film festival is to promote awareness of anthropological themes to a wider audi…


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Call for Films: Riga Pasaules Film Festival

NAFA Network , October 19th, 2021


Healing If the documentary’s vocation towards the truth is not merely to represent it, but in engaging the viewer beyond the film frame, what formal strategies make such…


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