In How Things Count as the Same: Memory, Mimesis, and Metaphor (Oxford UP, 2019), Adam B. Seligman and Robert P. Weller address a seemingly simple question: What counts as the…
How do Chinese citizens make sense of digital surveillance and live with it? What narratives do they come up with to deal with the daily and all-encompassing reality…
Die Freunde und Förderer der Goethe-Universität gratulieren ganz herzlich den Preisträgern der Akademischen Feier. Jährlich zeichnen die Freunde den hervorragenden wissenschaftlichen Nachwuchs der Got…
La foto es de Yanidel y está tomada de https://www.facebook.com/YanidelPhotography Final de La antropología en los tiempos del cólera. Una reflexión y un balance, conferencia de clausura del …
Diese Woche gibt es z.B. ein Volontariat beim Museum Folkwang in Essen und eine Stelle als Fachdienstleiter*in für den Fachdienst Kultur und Bücherei bei der Stadt Grevenbroich. Wie…
Producer’s note: Hi everyone, Executive Producer Matt here, just wanted to slide in here quickly and say that we recorded this panel a while ago, so you might…
Producer’s note: Hi everyone, Executive Producer Matt here, just wanted to slide in here quickly and say that we recorded this panel a while ago, so you might…
By Dominic Piacentini, The University of Maine § Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport…
The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India (U Pennsylvania Press, 2023) offers an unprecedented firsthand account of the operations of Hindu nationalists and their role in…
Von #Doppelstandards ist häufig die Rede, wenn es um einen Vergleich zwischen den Kriegen Russland/Ukraine und Israel/Gaza geht. Doch von wem und warum werden diese Kriege eigentlich verglichen?
Zomi Town [Enclave], [via] City of Tulsa, Muscogee Nation, [via] Tulsa County, [via] [State of] Oklahoma, United States Visited June 14, 2024* This is the twenty-second post in…
By Sita Mamidipudi, University of California, Los Angeles. Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A.…
The camas season seems done, very early this year, the flowers now turned to seeds already. I have seeds from the pods in my yard
پناهگاه میرزا، نمایشگاهی است در فضای یک کارخانه قدیمی و متروک در محله بیمه شهر تهران که بازتاب هنر و اندیشۀ میرزا حمید، هنرمند ناشناس ایرانی است. از…
مقدمه سادهترین تعریف منظر؛ تصویری از طبیعت است که از دوردست در برابر چشم ما قرار گرفته است.(گروه معماری پارسه؛۱۳۹۲؛۲) در دنیای امروز منظر موجودی زنده و پویا…
مقدمه وقتی پساز سالها تدریس هنر؛ تصمیم به عملی کردن یک پروژۀ طولانی (که مدتها ذهنم را مشغول کرده بود) گرفتم، مسیر تدوینشدۀ پیشرو سرشار از سوال و…
Geschätzte Lesedauer: 11 Minuten Zwei Blogbeiträge aus dem Seminar mit Exkursion zum 16. SIEF Kongress „Living Uncertainty“ in Brno, Tschechien (6.-10. Juni 2023) Der 16. Kongress des europ…
Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport Prize Finalists. By Caylee J. Hong, Univers…
Following a day-long, company-wide “workplace culture” workshop for a Silicon Valley startup that creates and oversees mental health care chatbots (pseudonym: The Startup), I find myself sitting on…
The Portuguese-language proverb „Quem sai na chuva é para se molhar“ might be translated as „who goes out in the rain, wants to get wet.” It’s a reminder that actions have…
Tibetan Magic: Past and Present (Bloomsbury, 2024) focuses on the theme of magic in Tibetan contexts, encompassing both pre-modern and modern text-cultures as well as contemporary practices. It offers…
Michael F. Brown reflects on his ten years as president at the SAR Gala Celebrating 50 Years of Resident Schol…
Editorial Note: This post is part of our series highlighting the work of the Anthropology and Environment Society’s 2023 Roy A. Rappaport Prize Finalists. By Bürge Abiral, The Ohio …
SAPIENS is seeking poetry submissions for a curated collection that will publish next year. Deadline: September 1, 2024. ✽ SAPIENS Anthropology Magazine invites creative works for the upcoming…